I have a friend who is a huge fan of H. P. Lovecraft and his circle of writers and after discussing recent books we had read I recommended Karl Wagner to him and his counter recommendation was Edgar Hoffman Price, who had cowritten a story with Lovecraft.
Another Golden Age writer I have never heard of and one that seemed very prolific. I looked at a number of his offerings online and decided on the Fables of Ismeddin MEGAPACK from Amazon. I was a bit worried that the stories might have a strong racist tinge to them as some of Lovecraft’s do. I did not find that to be so. In many of the stories there are no real ‘heros’ in that there is some evil in all, but often it is the westerner that is the worst, such as in Well of the Angels.
There are a number of reoccurring characters and story styles, starting with the title character Ismeddin, a Kurdish holy man that is called a Darvish, an alternate spelling for dervish. Ismeddin is only in about half of the tales but is an interesting character.
Crafty, devout, wise, versed in ancient lore and an apparent practitioner of magic he is an interesting contradiction. He is also at times a caravan raider, horse thief, guide, advisor to travelers and Amirs as well as a man that deals with the devil. While looking down on the ruling class he often helps them maintain their thrones even when they are obviously cruel and corrupt.
Another reoccurring character is Bint el Hereth or Bint el Kafir, the daughter of Satan, a immortal seductress who entices men to their doom in a way that many men might be willing to follow. You will have to judge for yourself if she is evil or not.
There are a few historical fiction tales and several that does not feature Ismeddin and have westerners as their main focus. At first I was disappointed in this but a number of them are good tales.
I really enjoyed the stories and believe that they aged very well. A couple that stood out for me were Ismeddin and the Holy Carpet and the Girl from Samarcand, for very different reasons. The first shows the cleverness and resourcefulness of Ismeddin, and how quickly he can adjust to unexpected circumstances. The other, almost a ghost story, has a lot to say about day dreaming as well as the importance of hearing an entire conversation.
The stories reminded me in a way of a number of Robert E. Howard’s short stories set in the same area but there are major differences. The first is simply the era. Howard’s tales are mostly around the Crusades while Hoffman’s are primarily around the start of the 20th Century. Another major issue is that the hero in Howard’s stories are all European, while Hoffman’s are Kurds, Persians, Afgans and others from the nations around the Levant.
Hoffman wrote in a number of genres and there is both a Fantasy & Science Fiction as well as a Two Fisted Detective MEGAPACKS available that I will probably invest a buck on in the future. I wonder if his stories in those genres holds up as well?